Marina Rodríguez studied theater at Institut del Teatre de Barcelona. In 2009 she moved to Berlin to work with Familie Flöz (Mask theater), and from 2013 on plays in the piece Hotel Paradiso with shows all arround the world, still today.

In 2011 she created Kazibaze Theater Company, with which she organises the bilingual theater Festival for Kids Kindertheater Reihe and have created the pieces 2 Grandmas and 1 Book and The Knotted Kingdoms.

In 2012 she began to work with the company Theater Am Tisch. It will be with this company that she will present her first work as an actress and director in 2013 with the piece ALTBAU, a Site Specific theater piece, which played in many different apartments of the German capital. With them she also remarks the piece Refugeespremiered in BE Festival, Birmingham 2015, and  the gaming piece called Megalopol!s, premiered in 2016 in the Fellini Gallery Berlin.

2014 she wins the first price of Festival de música clássica de Cervera Festival, for her short video Frederic Mompou – Marina,  inspired in the essence of the Catalan Piano composer.

In 2017 she collaborates with the dancer and choreographer Valentina Bordenave, starting to be part of the Anderplatz Kollektive and creating the piece Detached.

Also this year she starts working on her second piece as a director called PORN IS ON. A concept about how and where is the feminine sexuality reflected in Mainstream Pornography. With this concept wins the theater contest Caravana de tràilers from the Festival Terrassa Noves Tendències 2017.

In September 2018 PORN IS ON is premiered at the TNT festival, with a great success of audience and critics.

“But there’s no kindness nor warmth in mainstream pornography, neither in Marina Rodríguez’s Porn is on. The piece is bravely facing the submission of women and the impact that this industry has on society, and it makes it clear that the image of a woman falling to the ground says much more than retrograde sermons. ” Diari Ara.




PORN IS ON. Premier in September at Festival TNT, Terrassa. Following shows in Teatre Antic in Barcelona.

HOTEL PARADISO. Mask theater, Actress. Familie Flöz, Europa and China tour.

TEACHING. Physical training at LISPA (London International School of Performing Arts). Mask technique Masterclass at Nanjing University of Arts.


PORN IS ON. Concept and direction. New Dramaturgies. Winner award for the Concept in Caravana de Trailers ’17, TNT Festival, BCN. The Piece will be produced in 2018.

DETACHED by Valentina Bordenave and collective Anderplatz. Wiederaufnahme. Actress and Dancer. Dance-Theater, Dock 11, Berlin.

HOTEL PARADISO. Mask theater, Actress. Familie Flöz, Europa tour.

TEACHING. Mask Tecnick and Physical training. MFA Missisipi – Arezzo – Berlin.


DETACHED by Valentina Bordenave and collective Anderplatz. Actress and Dancer. Dance-Theater, Dock 11, Berlin.

MEGALOPOLIS. Site-Specific Theater, Co-author and actress. TheaterAmTisch, Fellini Gallery, Berlin.

DAS VERDREHTE KÖNIGREICH. Co-author and actress. Children’s theater, Schatzinsel, Berlin.


HOTEL PARADISO. Mask theater, Actress. Familie Flöz, world tour.

ALTBAU. Site-SpecificTheater, actress and director. TheaterAmTisch, Berlín.


HOTEL PARADISO. Mask theater, Actress. Familie Flöz, world tour.

ALTBAU. Site-SpecificTheater, actress and director. TheaterAmTisch, Berlin.

ZWEICH. Performance, Co-author and actress. Kazibaze Thearter, Berlin.

2013 HOTEL PARADISO. Mask theater, Actress. Familie Flöz, world tour.

ALTBAU. Site-SpecificTheater, actress and director. TheaterAmTisch, Berlin.

HAUSTHEATER. Site-Specific, actress. TheaterAmTisch, Berlín.

2012 TRANSNATIONAL WALK by Nina Dich. Actwalk, actress. Berlín.

SAVE YOU HATE ME by Piet Starret. Performance, actress. RAW Tempel, Berlin.

SPIELWIESE, 2 IM QUADRAT. Dir. Pozray Türkey, Theater. Actress. Theater Untern Turm, Berlín.


ZWEI OMAS UND EIN BUCH. Co-author and actress. Children’s theater, Hoftheater, Berlin.

SUBURBIS. Visual Theater, Co-author and actress.

360° Ensemble, Berlin.

2010 GARAGE D’OR Mask Theater, Familie Flöz, Berlin. Assistance.


2015 TANCADA. Short film by Xavi Buxeda. Dir. Xavi Buxeda, Bcn.

TANZ, TANZ. Short film by Marietta Kirkbride, Dir. Eneko Sanz / Christopher Taylor, Berlin.

2013 CONVERSACIONES. Short film by Esther Rizo, Dir. Eneko Sanz. Berlin

2009 SOY DE VENUS. Music video by Geraldine. Dir. Gerard Escobar. Perversion Records, Bcn.

First prize winner in Film festival “Baummann .09”, Bcn.


2003 – 2005 Sozial work Bachelor. Universidad de Barcelona

2004 – 2005 Acting. Escuela de teatro EÓLIA de Barcelona.

2005 – 2010 Visual Theater Bachelor. Institut del Teatre de Barcelona (Universität).

Acting and New Dramaturgies.

2013 Auditioning for Camara, Ellen Parks. T.Schreiber Studio. New York.
Camara acting, Peter und Dianne Miner. T.Schreiber Studio. New York. Vocal Training, Minna Taylor. New York.

Theater and Video Performance, workshop with GOB SQUAD, Cambridge.

2010 – 2017 Contemporary Dance Training/Workshops German Jauregui, Stella Zannou, Ricardo de Paula, Michael Löhr, Marion Sperber, Valentina Bordenave.


Catalan, Spanish: Mothertounge.
German: C2 Niveau (Phonetick training).

English: C2 Niveau (Phonetick training).

Italian and French: Basic knowledge.


You can visit here a selection of my work in the past years

PORN IS ON  Concept, direction and actress.

MEGALOPOL!S Actress. A project by Theater Am Tisch.

ALTBAU Concept, direction and actress. A project by Theater Am Tisch.

DETACHED Creation and performer.

FREDERIC MOMPOU Concept, direction and actress.

HOTEL PARADISO Actress. A piece by Familie Flöz.



When we speak about beauty, we don’t speak about perfection, but of proportion. So, a face with a symmetrical feature perimeter. Beauty will never have a round face. It will always be slim, without being slender…


PORN IS ON it’s a research about the female sexuality, how is reflected in our society  and which stigmas still have, through the observation and analysis of the mainstream pornography. PORN IS ON will situate this kind of Pornography in the public space to question dynamics of our society that are not often openly spoken.



PORN IS ON is the winner of the contest Caravana de tráilers 2017 of Terrassa Noves Tendències Festival. The piece was premiered at the 2018 edition of the same festival as a Spanish Premier, with a great success of audience and critics. Also, had a remarkable presence in Temporada Alta festival, being one of the 12 more acclaimed shows from the whole program (500 shows).

Further shows in Germany and Spain in 2020|21.

Directed by: Marina Rodríguez Llorente.

Direction Assistance: Susana Bordería.

With: Ricardo Mena, Guillem Barbosa and Marina Rodríguez Llorente.

Production: Carla Hernando.

Stagedesign: Blanca Añón.

Light: Roger Rossell.

Sound: Pol Ortega.

The production of this piece has been suported by:

Photo: Roger Rossell


El Periódico

“A Critical Sight over Mainstream Pornography”

El Diari ARA

“In the dome of the Teatre Principal a bombing of porn videos and a bit of toilet paper welcome the viewer. But there’s no kindness nor warmth in mainstream pornography, neither in Marina Rodríguez’s Porn is On. This piece bravely faces the repression of women and the impact that this industry has on society, and it makes it clear that the image of a woman falling to the ground says much more than outmoded sermons. ”


“With Porn is On Marina Rodríguez and her team of collaborators also enter the dark side, taking as a starting point the free online porn that millions of people consume at all hours, a phenomenon of which we may not speak enough. Why? Because of embarrassment; because certain sexual fantasies still are too close to the Tabu. But are they our sexual fantasies or are they what someone has decided to turn into our sexual fantasies? As always, there is the industry to redirect our inner desires to where they want to take us, and incidentally, to influence our reality to the point of no return in which we no longer know if we do something because it is what we want –  even in intimate territories as the ones in our rooms.”

Escena de la Memòria

“In this context, a performance such as Porn is On seems relevant enough. It makes us question some inoffensive habits but in a different way. Who among us, as they explain in the piece, doesn’t get home one day, tired, watch some porn, and get relaxed with some nice self-indulgent exercise? This piece talks about consuming, of course – but also about identification; roles; objectification of women; expectations; and moral standards. Done with the good taste of not judging: they expose; show (a great many things!); and they stop here. The rest, like pornography, is a mental construction left in the hands of the audience (!)

Porn is On’s format is the other great success of the piece: live video; recorded fragments; a set design near a filming studio; and above all the three performers. They embody us on stage.

It could be us on stage feeling objectified as in the episode of the ‘ideal sizes’ that a porno actress must be. To be used for their body; to become the producer with no other perspective than the economic benefit; to be the filmmaker who looks for the best position for the camera; or the technician focused on downloads and online views. We are each and every one of these characters. Perfectly orchestrated gear pieces. But do not be confused. It’s not sexuality. It takes the name of capitalism. ”


“At four in the afternoon we had a porn session programmed, something that at first glance may seem strange. I just ask you to think how many people in the world are watching porn on their computer right now (…you are welcome). Porn is On, the winning spectacle of last year’s competition Caravana de Tràilers, is a very honest and brave presentation by Marina Rodríguez, accompanied on stage by Ricardo Mena and Guillem Barbosa. From the tutorial on how to make a good blow job, to the rich offer of free mainstream porn we can find on the world wide web, the setting has the virtue of avoiding condescension and being too-serious at all times. It treats us like adults, it does not descend at any time into the game of ‘good and bad’, and makes us see the importance of porn in our society without resorting to sermonising.”



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